“Why Don’t We Dance?: Sophie Bocquet’s Choreographic Interpretations of Raymond Carver Stories and Poems.” The Raymond Carver Review 7 (Fall 2019/Spring 2020): 4-8. “Four Female Voices in ‘Fever’: Introduction to Feminism and Carver.” The Raymond Carver Review 2 (Spring 2009): 10-19.įabre-Clark, Claire.
See David Muldoon, The Raymond Carver Review 3 (Spring 2011): 6-16.įachard, Vasiliki. “Beyond ‘Errand’: Raymond Carver and the Art of Homage.” The Raymond Carver Review 7 (Fall 2019/Spring 2020): 35-44.ĭuranti, Riccardo. “The Negative Pastoral in Raymond Carver’s ‘The Compartment.’” The Raymond Carver Review 5/6 (Winter 2016 / Spring 2017): 58-67.ĭavidson, Rob. “‘Le Vie Est Une Fête, on Dirait’ (Life Is a Party, So They Say…).” The Raymond Carver Review 7 (Fall 2019/Spring 2020): 3.Ĭushing, Cameron. “Ralph Whiteman as White Construction in ‘Will You Please Be Quiet, Please?’” The Raymond Carver Review 4 (Summer 2014): 7-21.īocquet, Sophie.
“Masculinity as Homosocial Enactment in Three Stories by Raymond Carver.” The Raymond Carver Review 2 (Spring 2009): 81-95. “‘I Don’t Do Motion Shots’: Photography, Movement, and Change in Raymond Carver’s Stories.” The Raymond Carver Review 1 (Winter 2007): 33- 52.īenson, Josef. “The Glass Half Empty: The Poetics of Raymond Carver’s ‘Vitamins.’” The Raymond Carver Review 1 (Winter 2007): 1-15.Īmir, Ayala. “The Gift of Anonymity: Social Class and Property in ‘Why Don’t You Dance?’” The Raymond Carver Review 3 (Spring 2011): 17-36.Ībrahams, Eileen. Peer Reviewed Essays, Interviews, and IntroductionsĪbbott, Keith.
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